Absolving the American guilt: forgiveness and purification in Clint Eastwood’s cinema
The guilt-ridden character archetype is a recurring premise in Clint Eastwood’s cinema, recognizable in the inner conflicts of the protagonists of iconic titles, such as Unforgiven (1992), Mystic River (2003), Million Dollar Baby (2004) and Gran Torino (2008). According to Scott, Unforgiven marks th...
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| Materialtyp: | Artigo |
| Språk: | Inglês |
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Taylor & Francis Group
2021-07-01
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| Serie: | Church, Communication and Culture |
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| Länkar: | http://dx.doi.org/10.1080/23753234.2021.1960874 |
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