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Music Theory in the Public Sphere. The Case of Hermann von Helmholtz

The musical writings of Hermann von Helmholtz are often read as the epitome of a high-technical sophistication enabled by intense investment in German experimental science after 1850. But an overlooked, contrasting aspect of these texts’ historical significance should be acknowledged: namely their i...

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Autor principal: Benjamin Steege
Formato: Artigo
Idioma:Alemão
Publicado em: Gesellschaft für Musiktheorie (GMTH) 2010-01-01
coleção:Zeitschrift der Gesellschaft für Musiktheorie
Assuntos:
history of music theory
Geschichte der Musiktheorie
Hermann von Helmholtz
Geschichte der Musikwissenschaft
empirische Musikforschung
empiric musicology
history of musicology
Musikpsychologie
psychology of music
popular science
Populaerwissenschaft
Acesso em linha:https://storage.gmth.de/zgmth/pdf/557
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