Le cinéma de Luis Estrada ou le passage de la nécropolitique à la nécroesthétique
This article aims at ascertaining to what extent the filmography of the Mexican director Luis Estrada can be studied in the light of the concepts of necropolitic and necroesthetic, and will dwell more specifically on two of his works : La ley de Herodes (1999) and El infierno (2010). Our goal is to...
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| Natura: | Artigo |
| Lingua: | Espanhol |
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Université Rennes 2
2015-07-01
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| Serie: | Amerika |
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| Accesso online: | https://journals.openedition.org/amerika/6580 |
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