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While theatrical historiography has most often associated “mass theatre” with Soviet revolutionary art, agitational theater, and “mass actions”, this paper invites us to reconsider this notion through the prism of Cultural Studies, choosing to focus on the commercial theater that developed in Russia...

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Autor principal: Pascale Melani
Format: Artigo
Idioma:Inglês
Publicat: Institut d'études slaves 2022-09-01
Col·lecció:Revue des études slaves
Accés en línia:https://journals.openedition.org/res/5384
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