La “Venere” fascista dimenticata
In Italy in the 1920s, rhythmic gymnastics and ‘classical’ dances complemented each other in proposing dynamic female bodies that, within a socially subordinate gender role, fulfilled the aesthetic and eugenic aims that the fascist regime prioritised for women. When Luigi Moretti designed a theatre...
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| Huvudupphov: | , |
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| Materialtyp: | Artigo |
| Språk: | Alemão |
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CLUEB
2023-07-01
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| Serie: | Storia dello Sport |
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| Länkar: | https://storia-sport.it/index.php/sp/article/view/101 |
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