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“The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's Bathing, 1911

Originally installed as a mural in the London Borough Polytechnic, Duncan Grant’s Bathing (1911) provoked anxieties that it would lead to the moral decay of working-class youth. Employing critical theory, this article finds the root of those anxieties in the painting’s linkage of naked homosociality...

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Autore principale: Vajdon Sohaili
Natura: Artigo
Lingua:Inglês
Pubblicazione: Yale University 2016-11-01
Serie:British Art Studies
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Accesso online:http://britishartstudies.ac.uk/issues/issue-index/issue-4/duncan-grant-bathing
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