The Marx Brothers’ altarpiece: a materialist poetics
The article develops a materialist interpretation of the famous stateroom scene in A Night at the Opera (1935) starring the Marx Brothers. Instead of viewing the sequence merely as a chaotic accumulation gag, the study argues that it is constructed as a deliberate visual composition. As characters p...
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| フォーマット: | Artigo |
| 言語: | Alemão |
| 出版事項: |
Asociación de Filosofía Eikasía
2026-03-01
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| シリーズ: | Eikasía |
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| オンライン･アクセス: | https://www.revistadefilosofia.org/index.php/ERF/article/view/1315 |
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