Dismantling Descartes’ Cogito: Samuel Beckett’s Subversion of the Cartesian Subject in Endgame
This article examines Samuel Beckett’s Endgame as a profound theatrical subversion of the Cartesian model of subjectivity epitomized by the dictum cogito ergo sum. In a post-apocalyptic world where time has stalled, language has decayed, and relational structures have calcified into rituals of depen...
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| Médium: | Artigo |
| Jazyk: | Inglês |
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Atatürk University
2026-06-01
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| Edice: | Journal of Literature and Humanities |
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| On-line přístup: | https://dergipark.org.tr/tr/download/article-file/5040500 |
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