Truth on Stage, Truth in Life: Boal and Stanislavski
In light of the concept of scenic truth, this paper discusses the influences of the Stanislavski method in the early experiments of the Arena Theatre of São Paulo, and also shows traces of the Russian master’s principles in the Poetics of the Oppressed of Augusto Boal. The primary objective of the...
Bewaard in:
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| Formaat: | Artigo |
| Taal: | Inglês |
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Universidade Federal do Rio Grande do Sul
2015-02-01
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| Reeks: | Revista Brasileira de Estudos da Presença |
| Onderwerpen: | |
| Online toegang: | https://seer.ufrgs.br/index.php/presenca/article/view/53371 |
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