A ‘Dorothy Hodgkin of vagabonds, a derelict Nobel Prize-Winner’ (PB 65): The Spectacularisation of Social Invisibility in Alan Bennett’s The Lady in the Van (1989)
Before becoming a narrative, a play and, more recently, a film (2015), The Lady in the Van was a fortuitous (non-)event in Alan Bennett’s life. It all started off when a tramp woman, living in a van, ended up in the driveway of his suburban house in Camden Town. As the old bum settled in her routine...
Furkejuvvon:
| Váldodahkki: | |
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| Materiálatiipa: | Artigo |
| Giella: | Inglês |
| Almmustuhtton: |
Presses Universitaires de la Méditerranée
2021-11-01
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| Ráidu: | Études Britanniques Contemporaines |
| Fáttát: | |
| Liŋkkat: | https://journals.openedition.org/ebc/11313 |
| Fáddágilkorat: |
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