Expériences carcérales et traductions picturalesLe témoignage du peintre et objecteur de conscience Didier Poiraud durant et après la guerre d’indépendance algérienne (1961-1964)
The Algerian War has long been considered a “war without images”, owing to a combination of state censorship and the self-censorship of artists themselves. However, recent research has revealed numerous art works preserved thus far in the privacy of personal archives. This article follows the trajec...
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| フォーマット: | Artigo |
| 言語: | Francês |
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CNRS Éditions
2019-06-01
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| シリーズ: | L’Année du Maghreb |
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| オンライン･アクセス: | https://journals.openedition.org/anneemaghreb/4940 |
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