Making Visible the Invisible: Reversing the Codes of Dominant Culture in Madonna's Videoclip Don't Tell Me
In 2001, Madonna startled the public with a new image, that of the mixture of techno music with country aesthetics in the video-clip Don,t Tell Me, from her album Music. In many of her former clips, Madonna paid attention to marginal groups, bringing them to the centre. Basing my analysis on the th...
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| Format: | Artigo |
| Jezik: | Inglês |
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Universidad de Zaragoza
2003-12-01
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| Serija: | Miscelánea: A Journal of English and American Studies |
| Teme: | |
| Online dostop: | https://papiro.unizar.es/ojs/index.php/misc/article/view/10216 |
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