The Eyes in Close-Up: Surveillance, Control, and Montage in Three Works by Sergei Eisenstein
This article outlines the central role of the human eye as a consistent and recurring aesthetic strategy in the cinematic oeuvre of Sergei Eisenstein via an investigation of three films—<i>Strike</i> (1925), <i>Potemkin</i> (1925), and the unfinished, two-part <i>Ivan the Terrible</i> (1945, 1958)....
Furkejuvvon:
| Váldodahkki: | |
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| Materiálatiipa: | Artigo |
| Giella: | Inglês |
| Almmustuhtton: |
MDPI AG
2026-02-01
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| Ráidu: | Arts |
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| Liŋkkat: | https://www.mdpi.com/2076-0752/15/2/39 |
| Fáddágilkorat: |
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