Time between Storytelling and Story-following: A Cognitive and Affective View of Christopher Nolan’s Dunkirk (2017) and Tenet (2020)
The works of Christopher Nolan, besides achieving commercial success and critical acclaim, are often singled out for their remarkable preoccupation with time. His innovative representation of time, its passage and impact, is reflected in his intransigent manipulation of temporality in his narratives...
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| Format: | Artigo |
| Langue: | Inglês |
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Bucharest University Press
2024-10-01
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| Collection: | University of Bucharest Review. Literary and Cultural Studies Series |
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| Accès en ligne: | https://ubr.rev.unibuc.ro/wp-content/uploads/2024/10/UBR2_Houamdi.pdf |
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