The absence of fan activism in the queer fandom of Ho Denise Wan See (HOCC) in Hong Kong
The queer fandom of female Hong Kong pop singer Ho Denise Wan See (HOCC) from 2009 to mid-2011 is dealt with through the qualitative methodology of in-depth interviews and media ethnography. HOCC, an idiosyncratic cultural producer who dabbles in the politics of ambiguity, creates texts that invite...
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| Natura: | Artigo |
| Lingua: | Inglês |
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Organization for Transformative Works
2012-06-01
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| Serie: | Transformative Works and Cultures |
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| Accesso online: | http://dx.doi.org/10.3983/twc.2012.0325 |
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