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The demiurge in the convex mirror. The Hermetic keys of Parmigianino’s Self-Portrait in a Convex Mirror

The article analyses the conceptual foundations of Parmigianino in relation to his Hermetic and Neoplatonic ideas and alchemical practice, which were important in Renaissance Italian culture. Parmigianino's Self-Portrait in a Convex Mirror is viewed as an embodiment of the artist as a demiurge, a c...

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Bibliografiske detaljer
Hovedforfatter: Roger Ferrer Ventosa
Format: Artigo
Sprog:Inglês
Udgivet: Universidad Complutense de Madrid 2024-05-01
Serier:Eikón Imago
Fag:
Online adgang:https://revistas.ucm.es/index.php/EIKO/article/view/90725
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