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The analysis of numerous poems from 1939–1945 requires the inclusion of their vocal dimension as they represent authors’ immediate reactions to tragic experiences. This analysis must address phenomena such as the secret practice of individual subvocalization when creating and keeping poetry, vocal p...

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Detalhes bibliográficos
Autor principal: Dobrawa Lisak-Gębala
Formato: Artigo
Idioma:Inglês
Publicado em: The Institute of Literary Research of the Polish Academy of Sciences 2024-05-01
coleção:Teksty Drugie
Assuntos:
Acesso em linha:https://journals.openedition.org/td/26643
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