Philosophical Subtexts of the Science Fiction Genre: Andrei Tarkovsky
This article examines the acute problem in 20th-century art — how to create a work of art capable of engaging a mass audience without sacrificing the meaning conceived by the artist — through the lens of two films by Russian director Andrei Tarkovsky, Solaris (1972) and Stalker (1979). This issue be...
Bewaard in:
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| Formaat: | Artigo |
| Taal: | Inglês |
| Gepubliceerd in: |
State Institute for Art Studies
2026-03-01
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| Reeks: | Художественная культура |
| Onderwerpen: | |
| Online toegang: | https://artculturestudies.sias.ru/upload/iblock/f9d/gg99zyn8hze6va3ozn67e84v5hz3p3si/hk_2026_1_7_33.pdf |
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