History in Tatters: Bodies and Things in Samuel Beckett’s Theatre
History in Tatters: Bodies and Things in Samuel Beckett’s Theatre (A. McMullan)Drawing on concepts such as the chiasm in Merleau-Ponty’s The Visible and the Invisible, this article argues that Beckett’s theatre creates a dynamic stage space that includes a spectrum of being from human to things. On...
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Presses Universitaires de la Méditerranée
2008-12-01
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| coleção: | Études Britanniques Contemporaines |
| Acesso em linha: | https://journals.openedition.org/ebc/5953 |
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