Is there a theory of peripheral postmodernism? Tropicália and the art criticism of Mário Pedrosa in the 1960s
ABSTRACT After Caetano Veloso and Gilberto Gil performed at the 1967 MPB Festival, there was a change in Brazilian culture. From 1966 to 1968, Mário Pedrosa outlined in his Correio da Manhã columns what he understood by postmodernism by analyzing contemporary visual arts. Despite the contemporaneity...
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| Format: | Artigo |
| Sprog: | Inglês |
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Instituto de Estudos Brasileiros
2020-08-01
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| Serier: | Revista do Instituto de Estudos Brasileiros |
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| Online adgang: | http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0020-38742020000200018&tlng=en |
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