L’Inconnu (1720) : une réactualisation paradoxale du ballet de cour
As part of the great royal entertainments, celebrating the sovereign and the monarchy, court ballet reached its apogee under Louis XIV before declining: the comédie-ballet and the tragédie en musique ended up competing with court ballet while drawing on the same material. The Regency, thanks to the...
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| Format: | Artigo |
| Jezik: | Inglês |
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Centre de Recherche du Château de Versailles
2025-10-01
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| Serija: | Bulletin du Centre de Recherche du Château de Versailles |
| Teme: | |
| Online dostop: | https://journals.openedition.org/crcv/37690 |
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