The fallacy of the “intentional fallacy”: The intended sense of William Shakespeare’s The merchant of Venice
Members of New Criticism, an American school of criticism that predominated in the decades of 1940 and 1950, coined the intentional and the affective fallacies, which essentially dictated the intentions of an author are irrelevant to the meaning of a literary text. To refute this principle, I discu...
Tallennettuna:
| Päätekijä: | |
|---|---|
| Aineistotyyppi: | Artigo |
| Kieli: | Inglês |
| Julkaistu: |
Universidade do Estado da Bahia (UNEB)
2025-09-01
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| Sarja: | Babel |
| Aiheet: | |
| Linkit: | https://www.revistas.uneb.br/babel/article/view/23519 |
| Tagit: |
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