Valiant, Independent, and Harmonious: Paul Signac and Neo-Impressionism after 1900
Through a close reading of Parisian art criticism around 1900, this essay examines Paul Signac's role as de facto head of the neo-impressionists and guiding spirit of the Salon des Indépendants. Signac, and the neo-impressionists generally, had suffered from the decline of the Indépendants in the la...
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| Format: | Artigo |
| Langue: | Alemão |
| Publié: |
International Association of Research Institutes in the History of Art (RIHA)
2012-07-01
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| Collection: | RIHA Journal |
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| Accès en ligne: | http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/dymond-valiant-independent-and-harmonious |
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