Vision and Site: Revisiting a Pure Land Cave of Dunhuang
Buddhist Utopian vision shaped the art of Pure Land; so did many other factors, including the actual locale. Taking Mogao Cave 172 as the main case study, this article deciphers a visual paradigm of a Pure Land painting and cave in Dunhuang (Gansu, China) from the high Tang period (710–780 CE). By a...
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| Autori principali: | , |
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| Natura: | Artigo |
| Lingua: | Inglês |
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MDPI AG
2024-03-01
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| Serie: | Religions |
| Soggetti: | |
| Accesso online: | https://www.mdpi.com/2077-1444/15/3/329 |
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