And There is No Line
The paper explores the encounter and reception of underground Soviet rock in Italy, focusing on a case study that firstly includes in the dynamics of reception the roles of imaginary and affect, reframing the concept of paratext in the field of performative and sound studies. The paper then focuses...
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| Format: | Artigo |
| Sprache: | Alemão |
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Milano University Press
2026-07-01
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| Schriftenreihe: | Enthymema |
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| Online-Zugang: | https://riviste.unimi.it/index.php/enthymema/article/view/22386 |
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