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La marchandisation des artistes décédés

Based on the case of posthumous music projects, this article examines the emergence of new forms of regulation in the music industry. While these projects often generate enthusiasm, they are also subject to criticism from journalists, fans and rights holders regarding the respect due to the deceased...

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Autore principale: Noé Latreille de Fozières
Natura: Artigo
Lingua:Francês
Pubblicazione: Éditions de la Sorbonne 2024-12-01
Serie:Socio-anthropologie
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Accesso online:https://journals.openedition.org/socio-anthropologie/19961
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