History as an April Fool’s Joke. Defamiliarising Collective Memory in Rabih Mroué’s So Little Time
In the article, Rabih Mroué’s performance-lecture So Little Time (2017) is discussed as an example of counterfactual mobilization for the purposes of political critique in contemporary art and theatre. I scrutinize Mroué’s references to the modern history of Lebanon and—drawing upon a cultural analy...
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| Autor principal: | |
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Sciendo
2018-12-01
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| coleção: | Meno Istorija ir Kritika |
| Assuntos: | |
| Acesso em linha: | https://doi.org/10.2478/mik-2018-0004 |
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