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Improvising Compose Yourself

The post–World War II era in the USA saw the emergence of a high–modernist discursive project begun by Milton Babbitt (1916–2011) and students collected around him at Princeton University. But around 1970 the sustaining premises of musical discourse as a scientific pursuit were challenged by some of...

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Detalhes bibliográficos
Autor principal: Scott Gleason
Formato: Artigo
Idioma:Inglês
Publicado em: Columbia University Libraries 2013-03-01
coleção:Current Musicology
Acesso em linha:https://journals.library.columbia.edu/index.php/currentmusicology/article/view/5285
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