Imitation and Expression. Inauthenticity in music according to Giacinto Scelsi
This article focuses on the consequences of a little-known work by Giacinto Scelsi, Rotativa (1930), for the concepts of imitation and expression in music. Critical of the mechanization of art peculiar to the Futurism of his time, the Italian composer allows us to think, against the pseudo-photograp...
Na minha lista:
| Autor principal: | |
|---|---|
| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Mimesis Edizioni
2024-02-01
|
| coleção: | Aisthesis |
| Assuntos: | |
| Acesso em linha: | https://oajournals.fupress.net/index.php/aisthesis/article/view/14296 |
| Tags: |
Sem tags, seja o primeiro a adicionar uma tag!
|