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La dissolution de la généalogie : Degas et Lepic, place de la Concorde

Against the historiographical grain and addressing growing interest in Degas and race, this article demonstrates that Vicomte Lepic and his daughters (Place de la Concorde) is a machine designed to reveal the vacuousness of genealogies of family, patriarchy, pedigree, race, bloodline, and artistic l...

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Autore principale: Todd Porterfield
Natura: Artigo
Lingua:Francês
Pubblicazione: Institut national d'histoire de l'art 2018-06-01
Serie:Perspective
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Accesso online:https://journals.openedition.org/perspective/9551
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