Realistic intermediality and the historiography of the present
This article tackles intermedial forms in the film O invasor (The Trespasser, Beto Brant, 2001), as it brings in diverse uses of media, predominantly connected to São Paulo’s hip-hop music and culture. I examine how intermediality can be used as a tool to explore the role of art forms within film sp...
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| Format: | Artigo |
| Langue: | Inglês |
| Publié: |
University College Cork
2020-07-01
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| Collection: | Alphaville: Journal of Film and Screen Media |
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| Accès en ligne: | http://www.alphavillejournal.com/Issue19/HTML/ArticleAmaral.html |
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