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“Art Has No Power over Schein through Its Abolition”

Theodor Adorno’s aesthetics takes up the German Idealist and Romantic idea of “Schein” – the “beautiful illusion” characteristic of authentic art – and reinterprets it through the lens of his own very particular kind of dialectical Marxism. Unlike his friend, Walter Benjamin, who welcomed the overc...

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Bibliográfalaš dieđut
Váldodahkki: Michael Rosen
Materiálatiipa: Artigo
Giella:čeahkkagiella
Almmustuhtton: Institute of Philosophy SAS, v.v.i. 2025-04-01
Ráidu:Filozofia
Fáttát:
Liŋkkat:https://journals.savba.sk/index.php/filozofia/article/view/4197
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