Psychophysical Precision in the Total Act
The Constant Prince, an internationally famous play directed by J. Grotowski, in which R. Cieslak’s acting stood out remarkably, presents some peculiarities related to the notion of scenic precision and, based on this premise, this paper proposes to describe and discuss them. The goal of this paper...
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| 主要な著者: | , |
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| フォーマット: | Artigo |
| 言語: | Inglês |
| 出版事項: |
Universidade Federal do Rio Grande do Sul
2013-09-01
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| シリーズ: | Revista Brasileira de Estudos da Presença |
| 主題: | |
| オンライン･アクセス: | http://seer.ufrgs.br/presenca/article/view/37268/27108 |
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