Ceguera y visión en El palacio de la risa de Germán Marín: escenificación del infierno en dictadura
This article analyzes the novel El palacio de la risa (1995) by Germán Marín as an infernal allegory of the dictatorship´s experience. The objective is to stage the figures of blindness and vision, understood as a sensory dialectic between the possibility of seeing and not seeing. In biopolitical te...
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| Materyal Türü: | Artigo |
| Dil: | Inglês |
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Milano University Press
2021-03-01
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| Seri Bilgileri: | Altre Modernità |
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| Online Erişim: | https://riviste.unimi.it/index.php/AMonline/article/view/15319 |
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