My heart has no colour: Lusotropicalism and Black Lusophone representation in the Eurovision Song Contest 1994 – 1996.
The Eurovision Song Contest states that ‘a rich history of promoting diversity [and] inclusivity’ is amongst its core values. Furthermore, the contest claims to able to ‘bridge differences and ignite a sense of shared community.’ Despite this, Catherine Baker notes in 2021 that Eurovision’s ‘shared...
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| Format: | Artigo |
| Idioma: | Inglês |
| Publicat: |
Netherlands Institute for Sound and Vision
2025-07-01
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| Col·lecció: | Tijdschrift voor Mediageschiedenis |
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| Accés en línia: | https://account.tmgonline.nl/index.php/up-j-tmgjmh/article/view/898 |
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