Le montage alterné chez Pathé: coupe d'ordre actoriel et coupe d'ordre narratoriel
In the first decade of the twentieth century Pathé presented itself ad a kind of film "laboratory" where several forms of editing were developed, in particular crosscutting, wherein segments of actions taking place concurrently and simultaneously within the same narrative were woven together. In or...
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| Главные авторы: | , |
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| Формат: | Artigo |
| Язык: | Inglês |
| Опубликовано: |
Milano University Press
2013-10-01
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| Серии: | Cinéma & Cie |
| Online-ссылка: | https://riviste.unimi.it/index.php/cinemaetcie/article/view/16489 |
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