Parallel editing, multi-positionality and maximalism – cosmopolitan effects as explored in some art works by Melanie Jackson and Vivienne Dick
Garfield produces a critique of minimalist art practice by demonstrating how the artist Melanie Jackson’s Some things you are not allowed to send around the world (2003 and 2006) and the experimental film-maker Vivienne Dick’s Liberty’s booty (1980) – neither of which can be said to be about feeling...
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| Format: | Artigo |
| Jezik: | Inglês |
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The Open University
2013-08-01
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| Serija: | The Open Arts Journal |
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| Online dostop: | http://openartsjournal.files.wordpress.com/2013/07/oaj_issue1_garfield.pdf |
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