Cine, política y (post)estado. La libertad de Lisandro Alonso
This paper analyzes La libertad (Freedom) (2001) by Lisandro Alonso, perhaps one of the most radical Argentine filmmakers within the so-called New Argentine Cinema “movement.” By giving the working body a central place in the image itself, this film exposes the precarization of the labor conditions...
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| Autor principal: | |
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| Format: | Artigo |
| Idioma: | Inglês |
| Publicat: |
Centre de Recherches sur les Mondes Américains
2010-01-01
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| Col·lecció: | Nuevo mundo - Mundos Nuevos |
| Matèries: | |
| Accés en línia: | https://journals.openedition.org/nuevomundo/58374 |
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