Une esthétique postmoderne : l’esprit kitsch dans The Grand Budapest Hotel (Wes Anderson, 2014)
What makes a movie kitsch? Does it correspond to an aesthetic intention? To a certain number of stylistic features: an assumed artificiality and extravagance, a taste for the recycling of clichés, numerous accumulations and repetitions? Or is kitsch primarily on the side of the spectator who has eit...
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| Format: | Artigo |
| Idioma: | Inglês |
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Presses universitaires de Rennes
2017-09-01
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| Col·lecció: | Revue LISA |
| Matèries: | |
| Accés en línia: | https://journals.openedition.org/lisa/9044 |
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