Chefs-d’oeuvre de légèreté et de grâce
This article analyses the inclusion of Venetian glass pieces and mosaics at four Universal Exhibitions in Paris from 1867 – the first year in which Italy could be represented as a unified country – till 1900, when the annual event inaugurated a new century and a completely different art system. T...
Bewaard in:
| Hoofdauteur: | |
|---|---|
| Formaat: | Artigo |
| Taal: | Inglês |
| Gepubliceerd in: |
Fondazione Università Ca’ Foscari
2017-07-01
|
| Reeks: | MDCCC 1800 |
| Onderwerpen: | |
| Online toegang: | http://doi.org/10.14277/2280-8841/MDCCC-6-17-2 |
| Tags: |
Geen labels, Wees de eerste die dit record labelt!
|