La valeur parenthétique de la musique au cinéma : fondements musicologiques et picturaux

In many ways, the opening shot of Werckmeister Harmonies (2001, Tarr Béla, Hungary) contains the multiple issues spectators may encounter in Tarr’s films. In it, we see Valuska, an exalted mailman, lead the local drunks to re-enact a solar eclipse. However, just as the sunlight disappears behind the...

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Autor principal:	Mario Adobati
Formato:	Artigo
Lenguaje:	Francês
Publicado:	Pléiade (EA 7338) 2024-07-01
Colección:	Itinéraires
Materias:	visual parenthetical value extradiegetic music cinematic signifier substractive cinema
Acceso en línea:	https://journals.openedition.org/itineraires/14752
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