Figures de l'anonymat. De quoi Banksy est-il le non ?
Refuse to be named, while pointing art as a new esthetic experience of politics, is a challenge nevertheless regularly damaged by the digital strategies of unveiling of the most famous unknown's name on the street-art area. With his anonymity, Banksy joins masters of the Renaissance whose artistic v...
保存先:
| 第一著者: | |
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| フォーマット: | Artigo |
| 言語: | Francês |
| 出版事項: |
Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
2016-01-01
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| シリーズ: | Cahiers de Narratologie |
| 主題: | |
| オンライン・アクセス: | https://journals.openedition.org/narratologie/7398 |
| タグ: |
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