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La photographie dans l’affiche (1919 à 1939). Évolutions techniques et esthétiques

In France, in the major professional periodics, there is a consensus in favor of the insertion of photography in the posters during the interwar period in France. It is then considered as a vector of modernity to the detriment of drawings, considered outdated. Through different technical processes,...

Ful tanımlama

Kaydedildi:
Detaylı Bibliyografya
Yazar: Sandrine Maillet
Materyal Türü: Artigo
Dil:Francês
Baskı/Yayın Bilgisi: Presses universitaires de Saint-Étienne 2023-06-01
Seri Bilgileri:Focales
Konular:
Online Erişim:https://journals.openedition.org/focales/2386
Etiketler: Etiketle
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