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On Philippe Quesne’s stage, human hierarchies and linearity of action are destructured: anthropocentrism no longer reigns and the scenic world exists for itself. Things and bodies can release ecstasies, to form what Böhme called aesthetic atmospheres. Neither objective nor subjective, they blur the...

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Bibliografske podrobnosti
Glavni avtor: Zoé Brioude
Format: Artigo
Jezik:Francês
Izdano: UMR 1563 « Ambiances Architectures Urbanités » 2021-12-01
Serija:Ambiances
Teme:
Online dostop:https://journals.openedition.org/ambiances/4142
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