Les trois boucles. Notes sur les modes d’existence des films d’artistes
As material resulting from industrial production, film is technically reproducible and thus does not seem, at first sight, to pose particular problems in terms of its “multiple” existence. However, when one observes in detail the material culture and the circulation history of artists’ films, the sc...
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| Autor principal: | |
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| Formato: | Artigo |
| Idioma: | Francês |
| Publicado em: |
Institut national d'histoire de l'art
2019-12-01
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| coleção: | Perspective |
| Assuntos: | |
| Acesso em linha: | https://journals.openedition.org/perspective/16320 |
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