The Politics of Aesthetics: Ezra Pound’s Jefferson is Mussolini
Inscribed within the framework of Ezra Pound’s theory of the “luminous detail,” historical facts are placed under the sign of a highly idiosyncratic master narrative, which ties in with a politics of aethetics, after Jacques Rancière but also in keeping with Benjaminian evaluations of the political...
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| Natura: | Artigo |
| Lingua: | Inglês |
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Association Française d'Etudes Américaines
2015-02-01
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| Serie: | Transatlantica |
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| Accesso online: | https://journals.openedition.org/transatlantica/7135 |
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