Existentialist Ideas in Luchino Visconti’s Films: Intertextual and Contextual Perspectives

The article presents an analysis of the embodiment of existentialist ideas in the cinematic work of the 1940s — 1960s of the Italian director Luchino Visconti. The main attention is paid to the screen adaptation of the novel The Stranger (1942) by the French existentialist philosopher Albert Camus i...

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Manylion Llyfryddiaeth

Prif Awdur:	Ivanchenko Inna I.
Fformat:	Artigo
Iaith:	Inglês
Cyhoeddwyd:	State Institute for Art Studies 2024-12-01
Cyfres:	Художественная культура
Pynciau:	albert camus luchino visconti novel and film the stranger philosophy of the absurd “the absurd man” ‘the rebellious man’ history of foreign cinema film adaptations
Mynediad Ar-lein:	https://artculturestudies.sias.ru/upload/iblock/9e5/otpcsm3svn21wue03zkzmrwjqmli1z7w/hk_2024_4_748.pdf
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