MEANING AS A SOUND – PARAMETER IN LUIGI NONO’S WORK: A DIALECTICS OF ‘PHONETIC – SEMANTIC STRUCTURE’
In their text-music relationship, Luigi Nono’s compositions, as early as the late 1950s, integrate words as a full-fledged sound parameter, in their capacity as sounds laden with sense and according to a gradual variety from the pure phoneme to the pure moneme to ambivalent formants. In the light o...
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| Natura: | Artigo |
| Lingua: | Inglês |
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Babeș-Bolyai University
2025-08-01
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| Serie: | Studia Universitatis Babeş-Bolyai. Musica |
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| Accesso online: | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9459 |
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