Montage, Memories, Machine
This paper explores the entanglement of human perception and machine operations in contemporary photographic culture, using montage as a conceptual resource to interrogate our understanding of photography in the context of computational vision and algorithmic culture. It takes as a key example the...
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| Autor principal: | |
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| Format: | Artigo |
| Idioma: | Inglês |
| Publicat: |
Simon Dawes, Centre d’histoire culturelle des sociétés contemporaines (CHCSC), Université de Versailles Saint-Quentin-en-Yvelines (UVSQ)
2024-06-01
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| Col·lecció: | Media Theory |
| Matèries: | |
| Accés en línia: | https://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/1071 |
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