Le fado et la dictature : les figures de la « victime »
Today, forty years after the end of the Estado novo (1926-1974) in Portugal, the fado, performed by a solo singer accompanied by guitars, is ever considered, in the collective Portuguese imaginary, as a natural accomplice of this dictatorship. However, this popular spontaneous song, considered durin...
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| Главный автор: | |
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| Формат: | Artigo |
| Язык: | Inglês |
| Опубликовано: |
Centre de Recherches sur les Mondes Américains
2015-09-01
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| Серии: | Nuevo mundo - Mundos Nuevos |
| Предметы: | |
| Online-ссылка: | https://journals.openedition.org/nuevomundo/68239 |
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